Mission: Impossible All Parts Collection Part 1-5 BRRip Hindi Eng Tamil 400mb 480p. Mission: Impossible is a series of action spy. Latest Movies.

Another fantastic entry to the best action franchise, putting James Bond films to shame once again. While the beginning is still a little bumpy, by the middle of the movie it is developing into a maelstrom of excitement and wonder about how action scenes are thought of, directed and performed. The Paris chase is already pretty fantastic but the last 30 minutes top it all off, pushing the envelope with every minute and twist. Cruise keeps risking his health for his audience, I know I am on board.

Perfect action entertainment. Coming down from the surging adrenaline rush, I was trying to determine when was the last time an action movie made me feel the immersive, delirious highs that Mission: Impossible - Fallout offers in spades, and what I came up with 2015's Mad Max: Fury Road. Simply put, this is the best straightforward action movie in three years. It's the best Mission: Impossible movie in the series, which, if it hadn't already, has assumed the peak position of the most consistent, most entertaining, and best action franchise in Hollywood. Allow me to explain how returning writer/director Christopher McQuarrie (Jack Reacher) makes an action movie that demolishes the competition.

Ethan Hunt (Tom Cruise) has been pulled back into spy action thanks to the lingering fallout (eh, eh?) of the capture of Solomon Lane (Sean Harris), whose followers, nicknamed The Apostles, have stolen three plutonium cores. It's Ethan Hunt's fault the nuclear cores got loose, and so he and his team, Luther (Ving Rhames) and Benji (Simon Pegg), must clean up after their mess. The CIA sends its own asset, the burly August Walker (Henry Cavill), to help oversee the mission and specifically Ethan Hunt, who must pose as a shadowy terrorist broker to maintain appearances with important figures in the criminal underworld. In order to get the nuclear parts, Ethan Hunt has to retrieve Solomon Lane and release him back into the open. Complicating matters further is Ilsa Faust (Rebecca Ferguson) who needs Solomon dead to clear her own spy debts. Every action movie lives or dies depending upon its unique set pieces, often the first thing constructed by a studio and then the plot mechanics are ladled on merely as the barest of connecting tissue.

They need to have stakes, they need to have purpose, they need to be memorable, and they need to be understood and develop organically. Mission: Impossible - Fallout could be taught in filmmaking schools about how to properly build action set pieces. They are brilliant. McQuarrie finds interesting ways to set them up, complicate them, and just keep the escalation going in a manner that still maintains the believability of the moment. Take for instance a foot chase where Ethan Hunt is trying to nab a bad guy through downtown London. Where McQuarrie pushes into the extraordinary is by having that foot chase on a multi-level terrain. Ethan Hunt has to chase after his target but multiple stories above the ground, and so he's leaping out windows, jumping over rooftops simply to keep up.

It's a simple twist that takes what we're familiar with and, literally, elevates it to new heights. Or take for instance the mission in Paris to capture Solomon Lane.

At first it's capture, then it's flee police, then it's flee another assassin. There are multiple stages to this sequence, each with a new goal, each with new complications, and each with new eye-popping stunts and escapes. The action finds natural points to progress, making smart use of the geography, and keeping different elements at play to come in and out to add more problems. This is how you do action right. As soon as the half-hour mark settles in with the arrival of Walker, the movie is practically nonstop in its set pieces until the very end. At a steep 147 minutes, this is the longest Mission: Impossible movie yet but it's breathless in its execution. Amazing set pieces that are cleverly designed is one aspect of a great action movie, but if you can't tell what's going on, what's the point of all that cleverness?

Fortunately, McQuarrie understands this and adheres to a visceral depiction of the action that creates gloriously immersive and pulse-pounding sequences. The set pieces are terrific, so it stands to reason the stuntwork should be terrific, and to make sure you appreciate the stuntwork, McQuarrie makes sure the photography highlights the verisimilitude. It's a symbiotic (or as the Venom trailer tells me, 'sym-BI-oat-ic') relationship but when done correctly, as evidenced in this film, it's the key to truly kinetic action sequences. Take for instance a parachute jump that marks the start of the second act. McQuarrie films it as a sustained long take, and as the camera plummets to the ground chasing after the two men, our brains can tell us that there is some special effects trickery to mitigate the dangers, but our senses are overwhelmed with the sustained illusion of tension. The fight choreography is equally up to the challenge.