Shrek Forever After (2010) Never reaching the inspired wit and infectious fun of the original, the action scenes feel recycled. Shrek and Fiona have three little ogrelings, and have settled into pleasant domesticity. Then Shrek has a midlife crisis. Is this meant for kids or adults? Airtel ringtone friend thaeva macha and the bear.

In this fourth, and ostensibly final, installment, Shrek & Co. Still have some appeal, but the fun feels forced. Clever pop culture references have been replaced by spurts of slapstick and contrived mania. Madagascar 3: Europe's Most Wanted (2012) Fast is not always fun. Nor is sensory overload the same as dynamic spectacle. This third go-round is rarely fresh, but it doesn't stint on energy or vivid colors.

The series continues to focus on the value of friendships, new and old, and on imagination and resourcefulness. But the antic, loud style and dull plot don't bowl over audiences. Jokes about Cirque du Soleil and sail right over young heads. But talk of a 'stinky poopy circus' should make some kids chortle. Sinbad: Legend of the Seven Seas (2003) Michelle Pfeiffer shows how her sultry purr can be put to use for evil, as well as good, in a role reminiscent of a slimmed-down Ursula from 'The Little Mermaid.' Plays the title rogue with a bit of 'Aladdin' flair.

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These Disney comparisons couldn’t possibly be intentional, right? This swashbuckling adventure also features an independent seagoing woman reminiscent of Katharine Hepburn, voiced by Catherine Zeta Jones. The effects are competent, but a sense of magic is lacking. The Croods (2013) This visually appealing animated adventure -- complete with colorful hybrids of prehistoric animals and striking primordial fauna -- is hampered by lackluster slapstick humor and a meandering story. Voice work comes from Emma Stone, Nicolas Cage, and Ryan Reynolds. And Reynold’s Guy resembles Hiccup, the young protagonist of 'How to Train Your Dragon,' the charming 2010 animated feature also helmed by Croods co-director Chris Sanders.

It’s yet another animated feature in which the action sequences need not be in 3D. Kung Fu Panda 2 (2011) Despite the re-tread, things still feel fairly fresh for our pudgy black-and-white warrior, and the animation remains beautiful. Po, the titular martial artist panda, reassembles his supporting cast, Tigress (Angelina Jolie), Monkey (Jackie Chan), Mantis (Seth Rogen), Viper (Lucy Liu) and Crane (David Cross) — to confront Lord Shen (Gary Oldman), who plans to wipe out kung fu. While the story is predictable and the moral is well-worn, there’s a wonderfully inspired dream sequence with a kung-fu fighting radish.

Aliens (2009) This lightly satirical fantasy pays affectionate homage to '50s sci-fi horror, while also offering topical one-liners. President is voiced by Stephen Colbert, a stroke of inspired casting. He greets an alien spaceship by playing the five signature notes from 'Close Encounters of the Third Kind,' setting the tone for his officious, daffy character. 'Do something violent!' He bellows at the military. Dazzling colors, winning characters and energetic visual effects work in concert, even if the 3D feels unnecessary.

Rise of the Guardians (2012) With its focus on childhood wonder, this 3D computer-animated fable based on the series of books by William Joyce is a visually energetic spectacle, if a little overloaded. There’s plenty of fanciful razzle-dazzle in this mash-up of mythical heroes. The notion of Santa Claus, the Easter Bunny and the Tooth Fairy joining forces like a storybook troop of Avengers action heroes is delightful, but the film grows hectic with all those figures competing for screen time. Spirit: Stallion of the Cimarron (2002) The Western landscape is exquisitely rendered and gives voice to a wild mustang stallion living in the 19th Century. A poetic saga told with only music and narration (no talking animals here), the striking stallion is living an idyllic existence in the Old West until he’s captured by horse traders and sold to a cavalry regiment.